LC Interpreting Services is now SignNexus!
SignNexus sets the standard for excellence and efficiency when accommodating the diverse communication and cultural needs of individuals who are Deaf, DeafBlind, and Hard of Hearing.
SignNexus is a distinguished interpreting agency that specializes in American Sign Language, International Sign, and other sign language modalities. On-site and Remote Sign Language Interpreting Services are available to help organizations fulfill their obligations under the Americans with Disabilities Act.
SignNexus offers Communication Access Realtime Translation (CART) services, also known as Realtime Captioning, for live events. Remote Captioning Services are also available to facilitate ADA compliant accessibility for virtual events on any platform.
SignNexus Interpreters and Captioners have extensive experience in a variety of specialized settings.
Last weekend, singer/songwriter Sia was accompanied by a noteworthy performer as she sang her hit “Chandelier” on Saturday Night Live. With his face painted white like a mime, the visual performer used a mix of expressive American Sign Language and interpretive gestures to bring Sia’s words to life. On one hand, it is refreshing to see musical interpreting on a show that has such a wide audience. But on the other hand, perhaps there are more inclusionary and culturally competent ways to incorporate elements of Deaf culture into pop music.
There is a fine line between showcasing the beauty of ASL, and utilizing sign language as a gimmick. Hearing artists often toe this line without even considering the opportunities that exist for better collaboration. To give an example, there was a bit of controversy surrounding the use of ASL in Paul McCartney’s “My Valentine” video. The simplistic black and white video features Johnny Depp and Natalie Portman, neither of whom are native ASL users, each facing the camera and signing lyrics. Deaf individuals were quick to notice a number of errors in the actors’ signing– including both Portman and Depp appearing to interpret “tampon” instead of “appear.” (Whoops!)
How did the music video for a world renowned artist, starring famous actors, get released with these fairly simple mistakes? In the end, accuracy took a back seat to aesthetics because McCartney’s video was not really intended to provide deaf people with access to his music. The use of ASL was merely an “artistic” choice; it was used to entertain hearing audiences.
If musicians want to truly connect with the Deaf community, there are plenty of ways to incorporate in Deaf voices into their work. Instead of hiring actors who are not fluent in the language to do ASL interpretation, creative directors could seek out some of the many talented deaf performers who are working hard to make a name for themselves.
First off, there are some truly incredible Deaf music artists out there. If a hearing performer wants to challenge themselves to be more inclusive, working with a deaf musician could be an enlightening experience. SignMark is a deaf Finnish rapper who signs his lyrics and tours with a vocal interpreter. In 2009, he became the first deaf person to sign a recording contract with an international record company. Sean Forbes is a deaf hip hop artist from Detroit, and the co-founder of the Deaf Professional Artists Network (D-PAN) which was created to “make 
music more accessible to the deaf and hard-of-hearing community.” D-PAN produces ASL music videos for popular songs, and works to connect deaf artists from all walks of life. Hearing musicians could learn a thing or two from people like percussionist Evelyn Glennie, That Deaf DJ Robbie Wilde, and deaf Jazz singer Mandy Harvey– people who never let deafness hold them back from pursuing their passions.
Music artists can work with deaf dancers, as Jamie xx did for his music video “Sleep Sound”. This approach underscores the fact that music can be unifying, yet everyone enjoys it their own unique way. British singer Ed Sheeran asked CODA (Child of Deaf Adults) actor Matthew Morgan to sign the lyrics for his music video “You Need Me, I Don’t Need You” in British Sign Language. For lyrical artists, making your music videos or live performances deaf friendly is a great way to expand your audience.
Sign language is a cornerstone of Deaf culture, and deaf individuals are very proud of their silent communication. It’s likely Sia was well-intentioned when she had her interpreter dress as a mime, but any message of deaf empowerment becomes a bit muddied when presented with this deaf/mute stereotype. Her performance on SNL was not the first time Sia incorporated sign language into her music. In 2008, her video for “Soon We’ll Be Found” featured Sia, as well as a group of performers, using ASL, shadow puppets, and interpretive dance. According to the artist, “I’ve always been obsessed with the beauty of sign language… The real beauty is the communication hidden within these perfect shapes.”
ASL is visually captivating, so it’s no wonder hearing artists are fascinated by this deeply expressive language. It is important, however, for these performers to remember that ASL is a legitimate language, complete with a distinct vocabulary and set of grammar rules. American Sign Language is not arbitrary hand waving– each gesture, facial expression, and classifier impacts the overall meaning. The best way to ensure a performance is culturally competent, respectful, and tactful is to consult with deaf parties directly about their language and expectations.
Musical interpreting is a nuanced process that requires an intimate knowledge of the language. Deaf people who use ASL rely on a full interpretation; this means if you are truly creating for deaf audiences, ASL is not optional based on the whim of the artistic director, and it can’t be “close enough.” Consulting deaf people on set, behind the scenes, and throughout the creative process helps amplify deaf voices in mainstream media. Collaborating with deaf performers and artists opens the door for education and cultural understanding.
Last week, Jimmy Kimmel hosted a “sign language rap battle” where two interpreters and deaf entertainer named Jo Rose Benfield each delivered their live interpretation of a Wiz Khalifa song. The video has nearly a million views on YouTube and was featured on many prominent sites across the web– further proving that pop culture is ready to embrace deaf performers.
Vibrations, beats, lights, interpreted lyrics, and awesome dance moves! It is inspiring to see mainstream media outlets exploring all-access entertainment, even if it’s happening slowly. I was thrilled to see a deaf musical interpreter share her talents with a wider audience, and the “battle” format allowed people to see a diversity in signing style.
Although Jimmy Kimmel did not inform audiences that one of the performers was deaf (he referred to her as a certified interpreter), I think it is still important to view this experience in a positive light. Everyone in the video was energetic and having fun. The interpreters were completely professional and Jo Rose is an instant superstar. Both deaf and hearing audiences were captivated by the beautiful, rhythmic ASL interpretations, and the popularity of the clip has fueled the ongoing national conversation about deaf issues.
In similar music news, artist Jamie xx just released a video for his song “Sleep Sound” that stars all deaf dancers. Although it did not feature any sign language, the video beautifully captures the appreciation deaf people can have for music. The diverse cast of dancers are smiling, twirling, and moving their bodies to the vibrations of the song, which has no lyrics.
One thing I hope artists take away from this is that they have deaf fans. If more musicians made their performances fully accessible, I believe they’d be surprised how many deaf/ HoH individuals relate to their music, come out to shows, and purchase band merchandise.
Yes, venues are responsible for providing event interpreters upon request, but imagine how many deaf fans consider this a barrier. There is no deciding to see a concert last minute, interpreters need to be booked in advance. Additionally, not all interpreters are of the same caliber as those shown on Jimmy Kimmel Live, so there’s no promise that the deaf audience will receive a high quality performance. If musicians specifically incorporated interpreters into their act they would demonstrate a true appreciation for deaf fans by guaranteeing a performance up to the artists’ standard. This is what equality looks like.
Media exposure can be a powerful catalyst for change. As pop culture explores the deaf experience, I hope to see deaf fans welcomed into the musical space. It breaks my heart when I think about deaf children being sent the message that music and dancing are not for them. Nobody should feel excluded. Music is for everyone!
On December 28, Madison Square Garden was a sea of colorful tie-dye, flashing LED lights, and smiling faces. The crowd energy in the sold out venue reached a frenzy when the house lights went down, and rock band Phish took the stage. As Phish pulsated the building with their signature jams, their renowned lighting director illuminated the arena perfectly in sync with the music. The audience swayed, spun, and reacted to the antics on stage– including a profoundly Deaf fan who I had the privilege of interpreting for.
One of the most common misconceptions about deafness is that Deaf people can’t enjoy music. This is absolutely not true. Music is for everyone! Music embodies joy, pain, love, or heartbreak. Music comes from within the heart of the artist, and resonates with the souls of the audience. Each of us may have a different connection to a song, yet we can still enjoy it together. Deaf people are able to appreciate music because it’s not really about hearing; it is about sharing an experience.
At a concert, Deaf fans use their other heightened senses to enjoy the crowd, the lights, the energy, the visual performance, and bass vibrations. When provided an interpreter, Deaf audience members can also be involved in the lyrical aspects of the concert. Interpreting at Phish was one of the most fun moments of my career; sharing the excitement of the performance with another fan felt so natural. Over the past few years, musical interpreting has gained quite a bit of attention. Barbie Parker has become well known for her emotionally-charged work at Lollapalooza, and other interpreters have been praised for their interesting interpretations of rap performances. Finally, music festivals like Bonnaroo, venues like Madison Square Garden, and performers like Bruce Springsteen have come to recognize that quality interpreters make or break a Deaf concert goers’ experience.
Deaf people can also be incredible musicians! Sean Forbes, co-founder of the Deaf Professional Arts Network (D-PAN), is a well-known deaf hip-hop artist who both raps and signs his lyrics. Forbes brings a vibrating dance floor to each show so fans can actually feel the music, colorful lights to set the mood, and his lyrics are projected onto screens for a truly all-inclusive performance. Another performer paving the way is DJ Robbie Wilde, AKA “That Deaf DJ.” With the help of a computer software which differentiates waveforms, Wilde produces music using his vision and the vibrations of the bass. Someone at Hewlett-Packard even took note of Wilde’s impressive skills, and they featured him in a commercial for one of their products! Deaf rap artist Signmark takes a slightly different approach to music by expressively signing his entire performance while a vocal interpreter raps the lyrics. The vocalist is actually part of the “band,” but it is Signmark who commands the show, signing the words to each song in his own emotional style. And these are only a few of the many amazing Deaf musicians who have adapted music to fit their lives.
It is believed in Eastern religion that Om– the simple yet deeply primal chant you may be familiar with from yoga– allows the body to come into connection with the vibration of life on this planet. The widespread use of this mantra makes a powerful statement about the belief that physical vibrations connect us. Music is a part of social bonding; allowing us to share something familiar, yet deeply personal. I find it tragic that deaf people should ever feel excluded from such an integral part of the human experience. No deaf individual should think that music is not for them just because they can’t hear. I’ll say it again: Music is for EVERYONE!
